Begin

Over the past year of teaching writing, I have been asked a new question from various students: How do I start? Before this, I had never heard that question nor asked it of myself. Is there something in the air that is keeping people from starting? Is it the social climate? The political uncertainties? A device-bred self-censoring?

Whatever it is that is causing would-be writers to have trouble starting, as a teacher, I need to figure out how to answer that question.

Starting can be the hardest part, but it can also be the most exciting. How do you start? With one word. Then another. Then another. Prompts help the truly stuck, but for most people, I think all they need is permission to put their thoughts on paper. Your thoughts are valuable, unique, and important. No one else has your thoughts and no one knows what they are until you let them out.

So, if you need permission, here it is: Begin. Write the first word that comes to you, the word that snakes its way through your grey matter, through your subconscious, through your conscious thoughts, through your arm, down your fingers, and onto the paper or keyboard.

Now do the next word.

Anika FajardoComment
Fiction vs. Nonfiction

As I finish the latest (hopefully one of the last) rounds of edits on my memoir with my editor at U of MN Press, I am simultaneously working on edits for my middle-grade novel with my agent. The push-pull between fiction and nonfiction was the topic of this blog post from Lit Hub by Aminatta Forna, "The Truth About Fiction vs. Nonfiction."

Forna says, "When I come to a begin a book it is usually with a question in mind, something I have been thinking about and I want to ask the reader to think about too. What turns the book into a novel is the arrival of a character... with nonfiction when I start to write I believe I may have come up with an answer, an answer of sorts at least."

I chose to tell stories about identity and Colombia from two different perspectives: one based on my life and one based on a character. For each project, I have been circling similar themes, but the core questions I wanted to explore were different. Both my projects have questions and, for me at least, one of them is answered.

Anika FajardoComment
summer school!

For the third year, I will be teaching Telling True Stories at the Loft in downtown Minneapolis this summer. This six-week class focuses on how we tell true stories--where do we get ideas? what norms should we follow? what inspires us? what ethical dilemmas do we face?

I am grateful to my past students for the insights and elegance they have shown . Telling true stories can be scary and opens up the writer to vulnerabilities, and I'm always impressed by the level of honesty and support in the classroom. Plus, we laugh a lot.

Using sample of fabulous creative nonfiction from a variety of authors, we will write to prompts, share our writing, and support one other on our journeys. It's a great class that can really catapult a motivated writer.

Anika FajardoComment
teaching

I taught fiction basics to a group of middle schoolers last weekend. It was fun--really, it was. The kids were enthusiastic, strange, confused, excited, and scattered. But the thing that felt missing to me was the truth-telling.

You see, I'm used to teaching about nonfiction and I missed the commitment to the truth. Sure, it's fun to make up characters and setting, but what a challenge to figure out how to tell a story that really happened in an interesting way.

This weekend I'll be teaching again, but this class is about essays and I can't wait. For the first time, I'll be using this gem by Nicole Stellon O'Donnell, which appeared in Brevity. I'm excited to see how the students (adults this time) react and what they come up with. Our true stories are powerful.

good things coming (aka those who wait)

I spent the weekend at a cabin with my very dear writer friend. We drank at least five pots of coffee and one bottle of wine and ate a lot of gummy bears. We also got sore backs and tired eyes from staring at our laptops. But it was all worth it because we were deep in the work of writing.

When I returned home, a large manila envelope awaited me. An envelope containing my first book publishing contract.

I've been writing--and taking a few similar retreats--like this for years now. And suddenly, looking at the post-it that says "Sign here," it feels like all the work, all those extra calories and abandoned housework and too much caffeine is paying off.

There's a lot more work to do today and beyond. But I'm going to have a glass of champgne first.

 

Anika FajardoComment
if at first you don't succeed

For the past half-decade, I have been sending out manuscripts in the hopes of attracting a literary agent. There have been multiple projects, multiple versions of those projects, and multiple techniques. I sought advice from other writers, hired editors, magazine articles, and websites. And over the years, I have collected over 60 rejections from agents.

"This project isn't quite right for me."
"I don't think I have the right contacts for this."
"This doesn't fit my list at this time."
"It just didn't resonate with me."
"The market is tough right now."

I don't know what kept me going through all the rejection. Maybe it was sheer masochism, maybe it was naivete, maybe it was stupid optimism. Or maybe it was something else: a deep belief in my work and what I'm trying to do as a writer. Whatever the reason, I kept going. Kept writing, kept submitting.

And last week, I signed with Thao Le of the Sandra Dijkstra Literary Agency. I'm thrilled to put my work into her hands and let it go out into the world. For the moment, I am living a happy ending. Even though it's only a beginning.

Anika FajardoComment